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Barbara Mittler : ウィキペディア英語版 | Barbara Mittler
Barbara Mittler (born 15 February 1968 in Hagen, Germany) is a German sinologist. She is Co-director of the Cluster of Excellence "Asia and Europe in a Global Context".〔("Directorate" ), Cluster of Excellence "Asia and Europe in a Global Context". Retrieved: December 19, 2012〕 == Professional career == Mittler studied sinology, musicology and Japanese studies in Oxford , Heidelberg, and Taipei (Taiwan). After her dissertation in 1994, Mittler worked as an Assistant Professor at Heidelberg University, where she was habilitated in 1998. She continued as an Associate Professor. In 2004, she became Full Professor at the Institute of Chinese Studies, which she managed as Director until autumn 2012. At the Cluster of Excellence “Asia and Europe in a Global Context”, Mittler became speaker of the research area “Public Spheres” in 2007. Since November 2012, she is the Cluster’s Co-Director.〔("Barbara Mittler" ), Cluster of Excellence "Asia and Europe in a Global Context". Retrieved: December 19, 2012〕 Barbara Mittler is a Member of the German Academy of Sciences LEOPOLDINA.〔("Barbara Mittler" ), Leopoldina Nationale Akademie der Wissenschaft. Retrieved: December 19, 2012〕 In 2000, Mittler was awarded the Heinz-Maier-Leibnitz-Prize of the German Research Foundation and the Federal Ministry of Education and Research for her outstanding research.〔("Heinz Maier-Leibnitz-Preis" ), Deutsche Forschungsgemeinschaft. Retrieved: December 19, 2012〕 Between 2002-2004, she held the prestigious Heisenberg Fellowship awarded by the German Research Foundation.〔("Barbara Mittler" ), Cluster of Excellence "Asia and Europe in a Global Context". Retrieved: December 19, 2012〕 In 2009, Mittler received the Henry Allen Moe Prize of the American Philosophical Society for her paper ''Popular Propaganda? Art and Culture in Revolutionary China''.〔("Henry Allen Moe Prize" ), American Philosophical Society. Retrieved: December 19, 2012〕 In this paper, Mittler addresses the question why the items of propaganda of Mao Zedong's time, a tragic period of suffering, are now popular in China, and why Mao has become a mythical figure.
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